W Magazine, Part Four

I've long dreamt of owning a bag that evokes animals in Old Master paintings and lately it's been haunting my waking thoughts too.
(Follower of Marmaduke Craddock, c.1660-1717)

I don't know why this is. Maybe because in these uncertain times, the idea of walking around with a bit of art history slung across my body seems strangely grounding. Or maybe because anything old and curious feels very modern right now. (That whole quasi-Edwardian, New Antiquarian thing.) Or maybe it's just because pets have been proven to keep your stress level down.
(W.E. Turner, c. 1870)

Whatever the reasons, I've recently discovered some bags that afflict me with a glassy gaze and labored breathing...in a good way.
They're hand-stitched, made from distressed, overdyed leather and recycled materials and somehow manage to be rough and delicate at the same time, which is an instant sell to me as I devoutly believe that great style is all about oxymorons. (Terrible beauty, ornate monasticism, rough-hewn lushness and all that.)
To discover the designer, click HERE and scroll down.